Sur les pentes des collines

The Wonder Commission is a new music commission of The Well, composed by Dr. Brian Raphael Nabors and performed by the Antigone Music Collective. Inspiration for the new music emerges from Nabors' conversation with writer, physicist, and professor at MIT, Alan Lightman. The music also integrates the voices of youth from UpSpring's Summer 360 camp for unhoused youth and their questions about science, wonder, and hope.

At DIFAJE, the Family and Youth Affairs Division of the Bobigny Court, the duties of young prosecutors are the same, with one exception: they deal with minors who are either victims or perpetrators of crimes. For the latter, the prosecutor is the first person they deal with in the legal system, their first point of contact. He or she is the one who gives society's initial response to a young person whose future is already uncertain. Between prevention and punishment, the magistrate's role is a delicate one. He or she must combine authority with education. He or she must deal with the reality of a complex environment and with the differences and vulnerabilities of each individual.

60 years ago, in the Algerian desert, an atomic bomb, equivalent to three or even four times Hiroshima, exploded. Named the “Blue Gerboise”, it was the first atomic bomb tested by France, and of hitherto unrivaled power. This 70 kiloton plutonium bomb was launched in the early morning, in the Reggane region, in southern Algeria, during the French colonial era. If this test allowed France to become the 4th nuclear power in the world, it had catastrophic repercussions. France had, at the time, certified that the radiation was well below the standard safety threshold. However, in 2013, declassified files revealed that the level of radioactivity had been much higher than announced, and had been recorded from West Africa to the south of Spain.

Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.

The exceptional portrait of a pacifist general, the only senior officer to have spoken out against torture. This precious testimony still remains censored in France, since no national channel has to date decided to program this documentary. Son and brother of a soldier, General Pâris de Bollardière was destined for a career in arms. He was, for many years, one of the most brilliant representatives of this adventurer career in France, from Narvik to the Algerian War. After fighting in the French maquis, he reached Indochina, where he suddenly found himself in the aggressor's camps. His beliefs are strongly shaken. But it is in Algeria, where the French army practices torture and summary executions, that he takes the big turn. He expresses his contempt to Massu, and is relieved of his command. Until his death in 1986, Jacques de Bollardière fought for world peace, from the Larzac plateaus to the Mururoa atolls.

On September 5, 1960, the trial of about twenty French activists from the "Jeanson Network" began, supporters in the metropolis of the action of the Algerian FLN independence activists. But after a few days, the situation was reversed and the trial transformed into a political arena, it was the government, the army, their policy, it was the entire Algerian war whose trial began. Accused, witnesses, lawyers, overflowing a stunned court, transformed the courtroom into a tribune of the opposition. The trial coincided with the publication of the "Manifesto of the 121" on the right to insubordination, signed among others by Jean Paul Sartre, Arthur Adamov, Simone de Beauvoir, André Breton, Marguerite Duras, Pierre Boulez, René Dumont, François Chatelet…

Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: "For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema."

May 8, 1945, the day of victory over Nazism, is also a day of mourning. In Algiers, thanks to demonstrations for victory, the Algerian flag appears for the first time, thus claiming independence. But in Sétif, the standard bearer is shot dead at the head of the procession and a riot breaks out. The colonial massacre that followed would extend to all of Constantine. The commission of inquiry never delivered its conclusions and an amnesty law erased the traces of this savage repression. Fifty years later, the file is open.

Over a dozen students at this school in Quebec were radicalised. To tackle the issue, a pilot project was launched to heal divides within the student body. It's a hybrid cultural model, made up of the many cultures of its students.

Oversand is one of the first films about free climbing, the third film in a series of three with "Overdon" and "Over-Ice". Directed by Jean-Paul Janssen, the film was shot in 35mm in Algeria, in the Sahara Desert, in the Tamanrasset region, on the walls of the majestic peaks of the Atakor massif, central sub-region of Hoggar, mountainous heart of Hoggar, a volcanic plateau of almost circular shape, whose average altitude is 2000 meters, and which culminates at Mount Tahat (2918m), the highest point in Algeria. The Atakor is distinguished by its spectacular volcanic peaks, its needles, and its rugged landscapes, resulting from the erosion of ancient volcanic chimneys, which make it the most emblematic summits of the Hoggar, such as the Assekrem, the Ilamane, or the Tizouyag, where climbers Patrick Edlinger, Patrick Bérhault, Bernard Gorgeon, Hugues Jaillet, Jacques Perrier, Stéphane Troussier and Odette Schoënleb evolve under the watchful eye of the Tuareg caravans.

A group of young architects, confined to a forest in Barcelona during the COVID crisis, explore the problems generated by the ambition of wanting to be completely self-sufficient.

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On August 5, 1928, after 2 hours and 32 minutes of racing, the 71st rooster wearing the bib entered the Olympic stadium in Amsterdam. Ahmed El Ouafi Bouguéra wins the gold medal and becomes the first Olympic champion from the African continent. He achieved his feat under the tricolor flag. The start of his real marathon is underway. The history of sport extends to the history of Algeria and France. This documentary retraces the different stages of the life of this great champion, not only the history of sport but also the great story. Archival photographs and interviews mingle with the painted paintings. The series thus once again gives voice to this forgotten hero, one of the great heroes of immigration who defended France for more than a century.

“One, Two, Three, Viva l’Algérie!” is the main theme of our film. But it is first a slogan, a link that acts in space and time: a few words scanded, inseparable from the history of Algerian football and therefore the relationship between France and Algeria. These encouragements born with the FLN team during the Revolutionary War and later repeated in the Algerian epic at the 2010 World Cup were taken out of the stadiums in 2019 to call for change.

In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.

An emblematic figure in the defense of Berber culture, Mouloud Mammeri (1917-1989) experienced numerous confrontations with the authorities in Algeria, including the suspension in 1973 of the teaching of Berber at university and the ban of the conference he was to deliver on March 10, 1980 at the University of Tizi Ouzou on ancient Kabyle poetry... which will be the detonator of the powerful and harshly repressed cultural demands movement of April 1980, also called the Berber Spring. Mouloud Mammeri is one of the "historians" of French-speaking Algerian literature from the middle of the last century who, through his pen, gave back the soul to a country by giving it back its voice.