The Tiny World

Whales Without Walls is a short film that tells the story of our work to create North America’s first seaside sanctuary for whales being retired from marine entertainment parks.

Although experiencing a lifelong battle with pain and trauma, Jerod Draper lived an average, normal life in Southern Indiana. During high school, Jerod started to get off track after losing his best friend at the age of 14, and his first love at 15. To cope with the sudden loss at such a young age, Jerod started experimenting with drugs. After high school and through his younger-adult years, Jerod's substance abuse amplified. Throughout his 20s and 30s, Jerod continued to fight for sobriety while marrying and having a daughter. Following the divorce and not being able to see his daughter due to substance abuse, Jerod made a vow to stay clean. On October 4th, 2018 - Jerod was well over a year sober, yet fighting a familiar challenge, the severe depression and anxiety induced by weaning from drugs. During that evening, Jerod endures a fatal night of torture after being arrested for a routine traffic stop.

This documentary follows two long-lost Ukrainian friends, Arsalan and Nastya, as they reconnect in Germany after russia's full-scale invasion against Ukraine. Arsalan, an actor now in Frankfurt after time in a refugee camp, and Nastya, journalist and producer who stayed in Kyiv, reflect on the divergent paths their lives have taken due to the war. Through their conversations and therapy sessions, the film explores themes of displacement, identity, and the emotional impact of war on youth.

13-year-old inventor Aidan has discovered that trees use a mathematical formula to gather sunlight in crowded forests. Now he wonders why we don't collect solar energy the same way.

What do you call an Indian woman who's funny in 20th Century Britain? A British performer? A Black comedienne? An enigma? This humorous and comedic documentary, brings the laughs and dreams of four Indian women cabaret performers while posing the questions: What is comedy and who defines it? Is it culturally specific, or can anyone enjoy the joke? Who makes it into the mainstream and why? Does comedy always have to come from a white perspective in Britain to be taken seriously? What -- ultimately, do you call a funny Indian woman?

A biographical documentary on the late great comedian Bill Hicks and his career; in particular the censorship by Letterman that scarred it.

Documentary on the Mayan culture.

In the estuaries and lagoons of the Northern Territory, freshwater and saltwater crocodile are hunted for their hides by both Indigenous and non-Indigenous hunters. This film shows Aboriginal people using age-old hunting techniques to land crocs either for food or for skins. The methods employed by the professional hunters, who earn as much as 3000 pounds during the season, are also depicted, followed by a brief look at how the hides are skinned and prepared before being transported to the leather factories of Sydney and Melbourne.

The extraordinary and storied life of Topsy, a bactrian camel, whose career spanned the military, the mines, the movies and more.

While most teens spend their days in a self-absorbed haze, Simon Jackson was out in the world connecting with anyone who could help him save the spirit bear. For this, Simon became one of Time's Heroes of the Planet. It's a remarkable accomplishment for one so young, and an inspiring story for lovers of wilderness of all ages. But his devotion to the cause made him an outcast amongst his peers.

Le chant du Styrène is a 1958 French documentary film directed by Alain Resnais. The film was an order by French industrial group Pechiney to highlight the merits of plastics.

In 1945, Allied troops invaded Germany and liberated Nazi death camps. They found unspeakable horrors which still haunt the world’s conscience. A film was made by British and American film crews who were with the troops liberating the camps. It was directed in part by Alfred Hitchcock and was broadcast for the first time in its entirety on PBS FRONTLINE in 1985.

Choreography of familiar gestures that the author was able to spice up with a peculiar and original perspective.

A fairly shabby, dark, three-part wardrobe in a hallway: About ten years have passed since Joana Claude suffered sexual violence when it was assembled. Now the time has come to not only disassemble it. Instead, Joana sets out to destroy the artefact of pain completely. The gesture is made with fervour, tearing out the shelves and doors looks like retroactive resistance, what was pent up finds an outlet. At the same time, the ritual is characterised by gradual escalation: At first the director speaks of her relationship with her parents – a big sweat stain on her back already beginning to show –, in the end everything is in flames. The act is short, it lasts only a few minutes. And yet it allows an intimate insight that acquires a universal, strength-giving character as it unfolds.

From the mind of Chris Benchetler comes TGR's latest short film collaboration. Improvisation is the silver thread that weaves this crew together. Just as the Grateful Dead did not fit their music into an established category, this short film finds a cast of some of the world’s best athletes on a spontaneous journey of skiing, snowboarding, surfing, and music, complete with a soundtrack comprised of only Grateful Dead music.

In 2012, Stephen Vaughan and Kay Ferreter are invited to address the congregation at St. Joseph's Redemptorists Church in Dundalk, Ireland for the Solemn Novena Festival. In a powerful speech, the pair describe their experiences being gay and lesbian in Ireland, feeling excluded by Catholic doctrine, and the importance of a more inclusive church.