Out of Mind

A young writer finds herself faced with a choice: to continue writing according to other people's expectations or to finally unleash her true artistic nature. In a tense confrontation with herself, she will finally make her choice.

A young woman returns to her hometown for a brief stay, a journey that will lead her to confront her past. The homecoming becomes an opportunity to reprocess memories tied to her parents, a family marked by atypical and complex dynamics. Now an adult, the protagonist finally grasps the depth of her parents' choices, shedding new light on aspects of her childhood that once eluded her.

Two hearts meet, but an invisible wall stands between them. With determination and tenderness, love finds its voice.

Two young people find themselves in a place surrounded by nature, where everything seems suspended and every gesture brings back an intimacy built up over time. Between light-hearted conversations and meaningful silences, the sound of water accompanies their words, while the boundary between reality and memory becomes increasingly blurred. An encounter that oscillates between what has been and what remains, leaving an echo in the air that is difficult to grasp.

Nando secretly prostitutes himself to survive the day, but will they manage to discover his secret?

At the gates of Cava de' Tirreni, three young people: Ugo, Diana, and Alberta are looking for a bed and breakfast to stay in. They are welcomed by Giselda, the owner, who is surrounded by an aura of enigma. Giselda invites the young people to dinner at her house, and after some hesitation, they decide to accept, but the evening will be spicier than they think.

Blinded by jealousy and pain over his partner's betrayal, a young man kills her lover, convinced that he has restored his honour. But the crime brings no relief: only fear and the weight of a guilt he cannot handle.

Imma is looking for a fake Neapolitan boyfriend to introduce to her mother, but she meets Omar, an Egyptian guy.

Natura West (Marco Buti) is the owner and manager of the ranch that bears his name. One of the partners (Ilario Pascale) - apparent perhaps to a crime family - however, acts as if he is the boss of the ranch. Natura is a bored, wise and lonely fellow may seem almost subdued when, however, he decides that enough is enough: he tells Mr. Armando - perhaps a small-me boss who regulates the various riding stables in the area - his inten ons, rediscovers his true essence and reacts.

Marco and Francesca are two thieves who have planned a heist to steal a precious object: the statue of the Goddess of Fortune. The two find themselves in trouble when they are tracked down by criminals who own this rare item.

Layla, a symbolic embodiment of Palestine, recounts her life in an intimate monologue, recalling the days of peace and beauty before the occupation. Despite everything, Layla displays an indomitable spirit of resistance and a hope for a future in which her land will once again be free and whole. In the end, just as in real life, the stronger party violates Layla, but she continues to rise again to tell her story anew

Angela has a big revelation to make and will have to accept life's compromises.

A young aspiring actress has an argument with her father on the phone just before recording a self-tape. Later, as she begins to perform her part, she struggles to concentrate and can’t stop thinking about her father’s hurtful words.

Filmmakers stay at a haunted lodge and find themselves in over their heads when they encounter something otherworldly.

In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.

Jaded ex-CIA operative John Creasy reluctantly accepts a job as the bodyguard for a 10-year-old girl in Mexico City. They clash at first, but eventually bond, and when she's kidnapped he's consumed by fury and will stop at nothing to save her life.