Political Cinema

Max Devereaux and Suko Pyramid documentary about the making of their first three albums together as a duo and the story of their inspiring, international collaboration. Produced entirely remotely, featuring never-before-seen photos, videos and audio as well as interviews with close collaborators from all over the world.

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

Opening with the first day of rehearsals of the London production of "Sweeney Todd", this ninety-minute documentary focuses on the rehearsal process with the musical's director, composer and actors.

The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.

A documentary about the rehearsal of a theater production of Ingmar Bergman's "Fanny and Alexander" in 2012, in Stockholm, Sweden.

A study of observations around the ancient monument of the temple of Augustus and Livia and to cities of Vienne, Chonas-l'Amballan and Saint-Prim. Firstly proposed as a sort of ghost hunting, the project seems to focus on a world of figures, the whispers of the roads, diegetic/non-diegetic sounds and a camera that tries to investigate under fragments of logic and articulating cuts.

"The End of Bolsonaro" follows the historic trial at the Supreme Federal Court (STF) that led to the conviction of Jair Bolsonaro for attempted coup d'état, portraying the end of an authoritarian era and the victory of Brazilian democracy.

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

This documentary, made entirely of archival footage shot mainly by amateurs, revisits 50 years of Chilean history. A fascinating lesson in memory, this personal montage adopts a popular, even fringe, perspective to help write a more complete national memory. As the filmmaker asserts in her narration, there’s the history we’re told, the history we live, and the history we tell ourselves. Between the coup d’état of September 11, 1973, and the recent double failure of the new constitution project, this film shows that the people of Chile have long oscillated between excitement and disappointment, accumulating shattered hopes. Rejecting the pessimism that would trap us in collective immobility, Karin Cuyul instead draws on the past to ask how we can continue to dream of the necessary social and political changes.

Relationships, rehearsals, performances, hobbies, and family life of the members of the Guarneri String Quartet.

Shirley Clarke's frenetic documentary about multi-talented musician Ornette Coleman.

A sort of non-narrative itinerary between Lyon, Vienne and Valence-Ville that goes exploring the relationships between the interactions and the light it exposes, a reflection of identity and beauty that the shadows goes preserving the perceptions of new space.

Blue for a Moment is a documentary portrait of Swedish-born, Berlin-based musician Sven-Åke Johansson, a key figure in European improvised and experimental music. Active as a jazz drummer, composer, poet and visual artist, Johansson has spent decades challenging artistic conventions and genre boundaries. Born in 1943, he moved to Berlin in the late 1960s and became involved in the city’s experimental scene, including the Zodiak Free Arts Lab. During the 1970s and 1980s he played an important role in the West Berlin free jazz movement around the FMP/SÅJ label, collaborating with musicians such as Alexander von Schlippenbach and Rüdiger Carl. Influenced by Fluxus and modernist traditions, Johansson developed a distinctive approach based on noise, reduction and the use of everyday materials, anticipating the Echtzeitmusik scene that emerged in Berlin after 1990. The film explores his creative process, artistic philosophy and lasting impact on contemporary experimental music.

Impressionism and expression of a view, Mavy uses fragments of the ocean landscapes of Alice Guy's studies through fluctuations of bright nuances and an imitation of these tormented waves in the eyes of a modern camera

A Rock-Opera unlike any other film ever made, depicting the stages of Judas Iscariot's decision to sell Jesus Christ to the Romans.

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.