The Lover

A child from a poor family is exposed to food poisoning. This poisoning almost claimed his life, presenting his father with two choices: either abandon his principles and disregard his son's rights, or uphold his dignity and the dignity of his family.

One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless.

A Hindu woman elopes with her Muslim lover, moving with him to Syria. Eventually separated by war, she cares for their handicapped child on her own.

Set in Syria in the early 1900s. A peasant has his land taken from him by the authorities. He gets imprisoned and beaten by the gendarme, but manages to escape to the mountains where starts a bloody struggle for revolution.

A mysterious American gets mixed up with gunrunners in Syria.

Winter has approached Damascus, causing more electricity shortages in the city! In their last chance to communicate, Hazeem takes Maya on a car ride between fuel stations. Their road trip will expose a different side of the city and its inhabitants.

No description available.

"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.

Two women in their fifties. Everything sets them apart: their social standing, their life experiences, their backgrounds. Despite their differences, they will join forces for the same deeply personal and visceral goal: to gain custody of their grandson upon his return from a jihadist prison camp. Two women, one child. Three destinies inextricably linked.

As an elderly man on his deathbed looks to give his name to one of his newborn grandsons, he's unable to acknowledge any of them. The three boys grow up with no name in the Syrian mountains, as they struggle to survive in a war-torn country.

Syria, 1967, rumors of war. Abu Kamel, a peasant who farms tomatoes near Latakia, bullies his family. One by one, each rebels against him or finds a route to break away.

A female Lyft driver navigates the night shift in New York City while waiting to hear life-or-death news from her family in Syria.

Elisabeth lives a quiet live in the Belgian countryside with her young adult daughter Elodie. After the divorce from her husband Elisabeth took care of her daughter on her own. When Elodie disappears over night and Elisabeth discovers that she travelled to Syria to join the Islamic State, she begins her journey to find her daughter.

Anas Al-Basha, twenty-four years old, is not just another Syrian citizen. In the heart of Aleppo, torn apart by civil war, his only weapons are his red nose and the smiles of the children around him: he is Aleppo's last clown, and he will give his life trying to bring joy to the unfortunate orphans of the conflict.

Amal lives in a bomb shelter with her sisters in a wartime Syria. Food and water is scarce. One day when Amal is out playing, she finds a piece of gold. Suddenly other people claims the gold belongs to them.

In the destroyed city of Quneitra is the grave of a resistance fighter for Palestine. His son, the director, tries to restore the dead man's history by mixing echoes of his mother's memory and his desire to give his father a more honorable death. Through the daily lives, dreams, fears, and hopes of its citizens, Malas chronicles his hometown Quneitra in the Golan Heights between 1936, the year of the first revolts against the British and Zionists in Palestine until the year of the city's destruction. He seeks to exorcise a feeling of shame and humiliation that long accompanied the image of his father and also his town, occupied by Israelis in 1967.