Ibuka, Justice

It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

As a teenager in the '90s, Soleil Moon Frye carried a video camera everywhere she went. She documented hundreds of hours of footage and then locked it away for over 20 years.

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Time Is Illmatic is a feature length documentary film that delves deep into the making of Nas' 1994 debut album, Illmatic, and the social conditions that influenced its creation.

The travelogue is mobilised again by animator Lesley Keen in Burrellesque, commissioned for Glasgow’s European Capital of Culture 1990 programme. Drifting through Glasgow’s Pollok Park towards the Burrell Collection as seasons shift, Keen’s 35mm film convenes with the spiritual life of the artefacts held therein. These objects break out as kaleidoscopic visions, ripped from their place of origin; escapees pointing to Scotland’s own history of cultural extraction.

In '90s Argentina, the murder of a high school student sparks widespread protests. Retold by her loved ones, this documentary shows their fight for justice.

Famous and talented feature film director and scriptwriter Jan Kounen plunges the viewer into a unique and thrilling adventure of pregnancy, birth, and baby’s first swim, alongside marine creatures. Leina Sato is a Japanese professional free diver and is expecting her first child. Her partner, Jean-Marie Ghislain is a famous underwater photographer. They share a passion for the oceans, and believe that a strong bond between a mother-to-be and cetaceans exists. And they want to prove it. Leina will be multiplying her encounters with whales, dolphins and other underwater mammals. Mother Ocean is the incredible encounter between humans and under water species, around the universal question of giving birth and the power of creating life.

VH1 and SPIN magazine teamed up to present 'VH1 News Special: Grunge', an in-depth look at the Seattle-born movement that transformed popular music and the major players who made it happen.

Documentary made by the U.S. Army Signal Corps after the North African campaign.

A young mother’s mysterious death and her son’s subsequent kidnapping blow open a decades-long mystery about the woman’s true identity, and the murderous federal fugitive at the center of it all.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Rwanda For Memory (Rwanda pour mémoire) is a 2003 documentary film about the Rwandan Genocide. Facing up to the scars left by the genocide, Samba Felix N’Diaye manages to find just the right sense of distance to film the inexpressible while nevertheless communicating a message of hope.

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

A fast-paced suspense thriller and feature documentary about the sudden rise of ecstasy in Europe to epidemic levels after the disintegration of the Soviet Union.

Tommy Robinson goes on the offensive by documenting how his own “hit piece” on his character was being constructed by the taxpayer-funded BBC for their popular investigative news special “Panorama.” In the film he manages to capture footage of the blackmailing of his former employees to invent stories, along with an organization—known as “Hope not Hate”—on set with the BBC, intimidating ex-employees of Robinson during interviews. The host of “Panorama” at the time of filming is caught on camera casually using racist and homophobic slurs during a £220 champagne lunch with the same ex-employee they had planned to coach for a fake interview in which the BBC would possibly edit in which to make it appear as, “a gender, a sexual thing against Tommy Robinson,” according to the host. Within 24 hours of releasing the film, social media giant Facebook made a public statement of their own and removed Tommy Robinson’s accounts permanently.