In the Name of Liberty

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Using home videos from fans from across the globe and never-before-seen drone footage obtained during the victory parade in Buenos Aires, on streets dyed white and sky blue. The film invites viewers to immerse themselves in the world's most football obsessed nation, Argentina, to relive the emotional rollercoaster that was the country’s 2022 World Cup victory in Qatar and the record breaking celebrations that followed.

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

It is a fictionalized documentary, filmed in different locations (San Julián; Estancia La Colmena; Morón, Province of Buenos Aires; Capital Federal and Islas Malvinas). The original idea of the project is to reflect the historical and paradoxical connection that unites continental Patagonia with the Islas Malvinas. It is a story that recreates several moments, both the arrival of Islas Malvinas settlers and the departure of Argentine pilots on combat missions during the 1982 war. The documentary is filmed in a cinematic style, but also incorporates the most rigorous documentary logic: interviews, narration, and careful historical research into the events.

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For many years, Buenos Aires, Argentina, was one of the best places in the world for a film buff; but from the mid-sixties onwards, successive authoritarian governments shaped the will of the spectators, dictating what could be seen and what could not, so that the true cinema lovers, in their desire to watch films, had no choice but to embark on the most extraordinary and strange adventures.

The hotel Gondolín is home to some 30 transvestites who practice prostitution as the only option to survive in a society that excludes them.

Submerged under the blows and fury of the boxing ring, Daniela "La Bonita" Bermúdez, a young and introverted girl, aspires to be someone in life. Raised in a humble family of boxers, Daniela represents her only outlet for her family and she personifies the frustrated dream of her father, manager and coach.

Poetic images emerge from everyday life, interweaving with narratives that recall traces of events from the last civic-ecclesiastical-military dictatorship in the city of La Plata.

A mix of fiction and documentary, "Evita Capitana" takes place in the final of the 1951 Argentina's soccer championship, where Banfield faced the then imposing Racing Club. An important political figure sides with Banfield, representing the humble and needed, but power thinks otherwise.

Experimental documentary short starring Batato Barea and Peter Pank, filmed in July 1991

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'

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"Unearths, the books we do not inherit" delves into the family memory of Maria Julia Blanco, its director. The unearthing of his father's student library - recovered in 2018 - is the starting point. Julia guides us through the province of Santa Fe following her family's story. Historian and bibliophile by choice, Julia takes books, which do not know what has happened on the surface, as a starting point to excavate family memory. Little by little it becomes evident that, in the remains of the books, both family history and Argentine history can be reread.