YOU WILL NOT REPLACE US

A 1956 Belgian film, Low Light and Blue Smoke, showcases the music of American blues guitarist Big Bill Broonzy, capturing his performance at the Chapel of Les Brigittines in Brussels during his 1956 European tour.

An immigrant, working-class family lives through the horrors of the 20th century and raises a son who honors them. This memoir film is told entirely with image, music, and sound by filmmaker and sound designer Hamilton Sterling, guitarist and composer Ralph Towner, and Grammy winning music producer Jimmy Haslip. Available Now on: watch.eventive.org

Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, physically-skilled, teenage nobleman's daughter, who is at a crossroads in her life.

Date Nights immerses viewers in the profound love shared between Michael and Lynn, using the ritual of their weekly Sunday candlelit dinners to gradually unveil the poignant truth of Lynn's absence and Michael's journey through grief and loneliness.

In Jerusalem's orthodox neighborhoods, it's Succoth, seven days celebrating life's essentials in a sukkah, a temporary shack of both deprivation and hospitality. A devout couple, Moshe and Mali, married nearly five years and childless, are broke and praying for a miracle...

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Once upon a time there was a garden, a refuge, a safe haven - 'The Garden of the Finzi Continis'. It came to life in Giorgio Bassani's 1962 semi-autobiographical novel recounting an unfulfilled love story between two young Jews in Ferrara, while fascism was raging in Italy in the late 1930's. In 1972, Vittorio De Sica's film adaptation of the book won the Oscar for Best Foreign Language Film. Since then, the fictional space of the garden became so tangible that people from all over the world come to Ferrara to look for it. Fifty years after winning the Oscar, reality and fiction come together once more, as we walk through an imaginary garden and bring to life the book, its author, its main protagonists, history, love, friendships and betrayals.

A Jewish woman named Jettel Redlich flees Nazi Germany with her daughter Regina, to join her husband, Walter, on a farm in Kenya. At first, Jettel refuses to adjust to her new circumstances, bringing with her a set of china dishes and an evening gown. While Regina adapts readily to this new world, forming a strong bond with her father's cook, an African named Owuor.

On the military road construction site, on the pastures of Lessinia, writer Carlo Stuparic wrote to his brother Giani. The film celebrates his memory.

Everyone knows the phrase “Black is Beautiful,” but few know of the man who helped popularize it. Little known Harlem based photographer - freedom fighter and activist - Kwame Brathwaite took 500,000 photos across his 70-year career, always devoted to celebrating the joy and beauty of African American life. This feature documentary tells the story of Kwame and the “Black is Beautiful” movement.

A documentary about the United States Military Academy at West Point that conveys the vibrancy, sense of fraternity and fierce loyalty that mark the West Point experience.

A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.

Mismatched cousins David and Benji reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the pair's old tensions resurface against the backdrop of their family history.

Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.

On the surface it seems Jade has it all, including a successful marketing career, a heart surgeon husband who is admired and respected in the community, and a young daughter they both dote on. However, behind closed doors, her life is far from perfect.

During China's Tang dynasty the emperor has taken the princess of a neighboring province as his wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.