Immortals

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.

Fidelis Cloer is a self-confessed war profiteer who found The Perfect War when the US invaded Iraq. It wasn't about selling a dozen cars, or even a hundred, it was a thousand-car war where security would become the ultimate product.

The film – documentary “Shooting vs Shooting” presents a group of astonishing stories about journalists who were afflicted in the Iraq war, by following a journalist’s journey in Baghdad in 2009 and the story of a mother who seeks for an answer to the question why her son got killed while his only weapon was his camera. “Shooting vs Shooting” narrates incredible moments and adventures, reveals unknown sides to the facts and shows the dramatic stories of media workers who lost their lives, trying to freely broadcast the truth to the public opinion. Through the documentary, we witness the absurdity of war, the responsibilities of governments and armies and the atrociousness of blinded fanatics.

On the eve of the 2003 U.S. invasion, filmmaker Shelley Saywell traveled to Iraq to film the lives of ordinary people - especially young Iraqis - who were caught between Saddam's tyranny and a devastated economy (for which they blamed the West). Now, Saywell returns to find the people she met and interviewed before the war. What happened to them? Have they survived? Have their feelings about Saddam and the U.S. changed, or remained the same?

After 23 years in exile, Tariq Hashim returned to his homeland, Baghdad, where he encountered political turmoil, perpetual fear and violence. Shot in only 16 hours, Hashim’s film 16 Hours in Baghdad reveals the multi layered social landscape of Baghdad today. The film won the Golden Hawk Award at the 4th Arab Film Festival in Rotterdam, 2004.

A sparkling young Baghdadi woman, Kawkab, leads us around her city with a mischievous glint. Defying the stereotype of the Muslim woman, she is not afraid to speak her mind about anything, from sex, love, and virginity to her pro-Saddam patriotism. The film paints a unique picture of the current situation in Iraq from her perspective - totally different from the U.S. media's coverage as it measures the cost of war by body counts and dollars spent. Kawkab reveals an intimate and human side of Baghdad, speaking with compelling optimism of her hopes and joys.

Dr. Nabil is a gentle and committed surgeon and father who works at a small, understaffed Baghdad hospital suffering from a lack of equipment and medicine. Though other doctors have been killed or have fled the country in fear of their lives, Dr. Nabil has decided to stay. He worries, though, what effects the atmosphere of violence and brutality will have on his young son.

Director Hiba Bassem returns to Baghdad from Kirkuk in 2005 to finish her studies at the Academy of Fine Arts. This video diary chronicles her first year in Baghdad as she searches for a place to live, looks for work, attends college, deals with family problems and struggles to come to terms with her position as a woman living on her own. Baghdad Days won a New Horizon Silver Award at the Al Jazeera International Film Festival and a Golden Award at the Rotterdam Arab Film Festival in 2006.

Love and injury in time of war. Attilio de Giovanni teaches poetry in Italy. He has a romantic soul, and women love him. But he is in love with Vittoria, and the love is unrequited. Every night he dreams of marrying her, in his boxer shorts and t-shirt, as Tom Waits sings. Vittoria travels to Iraq with her friend, Fuad, a poet; they are there with the second Gulf War breaks out. Vittoria is injured. Attilio must get to her side, and then, as war rages around him, he must find her the medical care she needs. In war, does love conquer all?

When Prince Ahmad is blinded and cast out of Bagdad by the nefarious Jaffar, he joins forces with the scrappy thief Abu to win back his royal place, as well as the heart of a beautiful princess.

After freeing Baghdad from its terrible ruler, Aladin delays his marriage to the princess until a new dictator arrives to take over the city.

A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.

During the U.S.-led occupation of Baghdad in 2003, Chief Warrant Officer Roy Miller and his team of Army inspectors are dispatched to find weapons of mass destruction believed to be stockpiled in the Iraqi desert. Rocketing from one booby-trapped and treacherous site to the next, the men search for deadly chemical agents but stumble instead upon an elaborate cover-up that threatens to invert the purpose of their mission.

Between the years 1950-51 close to 130 thousand Jews left Iraq. The most ancient community in the world ceased to exist.

2006, Baghdad is ravaged by sectarian violence. Haifa Street is the epicenter of the conflict. Ahmed gets dropped off there by a taxi on his way to his beloved Suad's home to ask for her hand for marriage, he gets shot by Salam, a sniper who's living his own personal hell on a rooftop above.