Drizzle in Johnson

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

An experimental film created from 3 years worth of abstract pencil drawings with the goal of being a catalyst for unveiling a new mental landscape in viewers.

Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?

A person living in Liberty City goes to work, have some food & gets back home.

An exchange student in Eastern Europe enters a realm of unsettling phantasm.

Upon realizing there's not much time left, a teenager stuck in their bedroom, with only a window to the outside world, reflects on their life and tries to find a way out of their prison.

An experimental documentary/animation hybrid exploring likeness scanning, AI, and what that means for identity.

Flashing lights explode across an apartment as images of a woman in bed flicker in and out.

In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.

An experimental, non-sensical comedy about bringing a stone age man back to our time, made with the app “Plotagon”.

Mara—the spirit of the night, the weaver of darkened dreams—pressed upon my chest as sleep held me captive. My memory. In the haze of a dream, I saw those I loved, their faces bathed in an otherworldly glow. The nightmare was not the shadows nor the fear they whispered, but the cruel certainty of waking—of losing them to the morning light

This experimental short documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment. Using photographs, the animator creates varying perspectives through optical manipulation and changing colour, achieving bold and provocative effects.

Welcome to the 1980s TV horrorshow that never was. PHANTASMATAPES is a psychotronic VHS mixtape that reimagines THE REVENGE OF DR. X (a Japan-set creature feature that was written by Ed Wood) and THE BRAIN THAT WOULDN'T DIE (the savage body horror film that inspired FRANKENHOOKER) as a late-nite, home-taped double feature—complete with local TV commercials and a new synthesizer score from Taken by Savages (JUNGLE TRAP). Inspired by hazy memories of channel-surfing at the witching hour, this is a nostalgic and experimental art project from the minds behind Bleeding Skull.

A man with a razor in his head calls in a maintenance repair.

With the aim of finding Desire, so-and-so performs a ritual to go down in the depths of himself.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).