David Baddiel: Jews Don't Count

A captivating and personal detective story that uncovers the truth behind the childhood of Michaël Prazan's father, who escaped from Nazi-occupied France in 1942 thanks to the efforts of a female smuggler with mysterious motivations.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

Based on testimony by Ethel’s brother, David Greenglass, the Rosenbergs are arrested by the FBI. The couple is accused of passing secret information about the atomic bomb to the USSR. Though the Rosenbergs maintain their innocence from the start, the media and public opinion seem to have condemned them from day one. The trial does nothing to change this and ends in a death sentence. On Friday June 19, 1953, Julius and Ethel Rosenberg are executed in the electric chair. Julius first, then Ethel. 30 years later, the truth finally comes out. Declassified FBI archives reveal that Ethel was not guilty of being a spy; she was merely married to one. Julius did indeed commit espionage for the Soviet Union, though primarily as a recruiter, nothing at all like the fictional James Bond. This documentary, made entirely of archival footage and animated illustrations, offers a tale of espionage as well as a complex family tragedy.

A portrait of Pope Pius XII (1876-1958), head of the Catholic Church from 1939 until his death, who, during World War II, and while European Jews were being exterminated by the Nazis, was accused of keeping a disconcerting and shameful silence.

Nothing predisposed a rural commune in the Loiret region such as Beaune-la-Rolande to embody the height of the Holocaust in France. Yet it was there that a camp was set up where Jewish families were interned, separated, their children abandoned to their fate before being deported alone to their deaths. Long hidden from view, more than eighty years after the events, this tragedy remains a sensitive subject that can still divide opinion on what should or should not be done to ensure it is not forgotten. Following personal journeys and collective commitments, this film meets activists, elected officials, and teachers who are committed to helping a region recover its memory and reconnect with its history, however painful it may be.

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This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.

Lithuania, 1941, during World War II. Hundreds of thousands of texts on Jewish culture, stolen by the Germans, are gathered in Vilnius to be classified, either to be stored or to be destroyed. A group of Jewish scholars and writers, commissioned by the invaders to carry out the sorting operations, but reluctant to collaborate and determined to save their legacy, hide many books in the ghetto where they are confined. This is the epic story of the Paper Brigade.

Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.

When indie comic character Pepe the Frog becomes an unwitting icon of hate, his creator, artist Matt Furie, fights to bring Pepe back from the darkness and navigate America's cultural divide.

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

Archival footage of an American Nazi rally that attracted 20,000 people at Madison Square Garden in 1939, shortly before the beginning of World War II.

In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.

Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port.