Se llamaba Carlos Gardel

A young man is dedicated to singing, but only for his friends, and his godfather wants him to do it professionally.

A singer is in love with a young woman who is being extorted by a rich rancher.

Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.

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Nuno is the son of divorced parents. He lives a nomadic existence with his father: he lost all his friends and never stays long enough anywhere to make new friends. Now Nuno has become a drug addict, he’s in hospital, in a coma struggling between life and death. His father and his father’s sister remain by his bedside. The three separately evoke requests from the past and other characters they meet also complement their current life experiences and memories. Based on the novel by António Lobo Antunes.

The life, hardships, love affairs, triumphs and failures of the world-renowned tango singer Carlos Gardel.

The life of the famous tango singer Carlos Gardel, his emergence, his mother, his loves, his friends etc.

A film that brings together ten of the fifteen shorts that Carlos Gardel filmed in 1930 under the direction of Eduardo Morera, in the film studios of the pioneer Federico Valle.

Carlos Gardel and guitars performing "Añoranzas", vals written and composed by José María Aguilar.

Newsreels, songs and films by Gardel, real scenes with events and historical figures from Argentina and the world, images of the accident that took his life in Medellín and the funeral in Buenos Aires.

Inspired by the affair between Carlos Gardel and Ivonne Printemps, this story tells the quest of that unfinished love in today's Buenos Aires.

For thirty years, Carlos Escayola was the main politician of the small town of Tacuarembó, Uruguay. This farmer was known both for his political and cultural achievements (including the construction of a theater), and for the reputation of seducer, which earned him one of the greatest family polemics in the history of the region.

Through important testimonies, the director Miguel Rodríguez Arias intends to reveal facts that intertwine the life of the singer with that of his people. His desires, his virtues, his defects and his defeats. It is the story of a captivating voice, the reflection of a soul that transcends borders and languages with its art.

The film tells the story of the payador José Betinotti, a mythical character in Argentine music. It faithfully reconstructs the scenarios of the early twentieth century: the workers' struggles, the party meetings of the caudillos and the circus criollo, the cradle of Argentine theater and music.

In a decadent flea market there are rumors of a legend that inhabits the place. However, he is confined to his post until Carlos Gardel appears to him and gives him a mission in order to restore the shine of the Market.

A group of Carlos Gardel fans gathers every year at the Chacarita Cemetery to commemorate the anniversary of his death. Gardeliana portrays the ritual of a national hero, a day of saddened faces that coexist between the marvelous and the ghostly.