Deluge

The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.

A rogue scientist near a small desert town arouses the suspicion of the town's doctor when his lab assistant is found dead from a case of acromegaly, which took only four days to develop. As the doctor investigates, aided by the scientist's new female assistant, they discover that something is devouring local cattle and humans in increasingly large quantities.

In a far-future time ruled by the supernatural, a young girl requests the help of a vampire hunter to kill the vampire who has bitten her and thus prevent her from becoming a vampire herself.

A magician’s creation roams free in a city and explores its consciousness.

Aida is an Egyptian musical produced in 1942, scripted and directed by Ahmed Badrakhan and the story of Abdul Warth Asr about the opera Aida participated in singing Fathia Ahmed, Abdel Ghani Sayed. Represented by: Umm Kalthoum, Ibrahim Hamouda, Suleiman Najib, Abbas Fares.

Othman Abdelbaset suffers from the intervention of his mother-in-law in his life with his wife. He always worries about his assistants in the pancake shop he runs until his mother-in-law succeeds in cutting him off with his wife and turning his life into hell. He thinks of committing suicide and introduces his idea to his aides. The three go to sea to carry out the idea, but one of the sailors sees them leading the boat trip to one of the islands and they are on an adventure inside the Prince of the Island where they fight the bad guys who want to take over the island rule

The Wolf Man tries to warn a dimwitted porter that Dracula wants his brain for Frankenstein monster's body.

Frankenstein's unscrupulous colleague, Dr. Bohmer, plans to transplant Ygor's brain so he can rule the world using the monster's body, but the plan goes sour when he turns malevolent and goes on a rampage.

Grave robbers open the grave of the wolf man and awaken him. He doesn't like the idea of being immortal and killing people when the moon is full so tries to find Dr. Frankenstein, in the hopes that the doctor can cure him. Dr. Frankenstein has died; however, his monster is found.

One of the sons of late Dr. Henry Frankenstein finds his father's ghoulish creation in a coma and revives him, only to find out the monster is controlled by Ygor who is bent on revenge.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

Deranged scientist, Gustav Niemann, escapes from prison and overtakes the director of a traveling chamber of horrors, soon reviving the infamous Count Dracula, the frozen Frankenstein Monster, and the Wolf Man.

A man ventures out into the streets of a pandemic-ridden London.

(Zaatar) works with (Mulabbasa) in the acting troupe managed by (Jawhar). When (Jawhar) learns about the story of (Nagati Pasha's) son who disappeared twenty years ago and has not been found, (Jawhar) offers (Zaatar) to impersonate the son, and Zaatar in turn enjoys a life of luxury with (Nagati Pasha's) family, but he soon learns that (Hiam's) fiancé, (Nagati Pasha's) daughter, is embezzling the Pasha's money, and Zaatar feels guilty over time about what he is doing to this family.

From the depths of space, Dracula has devised his most dastardly plan yet; turning the residents of the small town of Marlow into his personal army of vampire zombies! A motley crew consisting of a grizzled detective, a rookie cop, a chain-smoking greaser, and a determined young woman band together to save the world from — (see title).

Welcome to the 1980s TV horrorshow that never was. PHANTASMATAPES is a psychotronic VHS mixtape that reimagines THE REVENGE OF DR. X (a Japan-set creature feature that was written by Ed Wood) and THE BRAIN THAT WOULDN'T DIE (the savage body horror film that inspired FRANKENHOOKER) as a late-nite, home-taped double feature—complete with local TV commercials and a new synthesizer score from Taken by Savages (JUNGLE TRAP). Inspired by hazy memories of channel-surfing at the witching hour, this is a nostalgic and experimental art project from the minds behind Bleeding Skull.