Picturing the Presidents

From award-winning director Phil Grabsky comes this fresh new look at arguably the world’s favourite artist – through his own words. Using letters and other private writings I, Claude Monet reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries. Despite this, and perhaps because of it, Monet’s life is a gripping tale about a man who, behind his sun-dazzled canvases, suffered from feelings of depression, loneliness, even suicide. Then, as his art developed and his love of gardening led to the glories of his garden at Giverney, his humour, insight and love of life is revealed. Shot on location in Paris, London, Normandy and Venice I, Claude Monet is a cinematic immersion into some of the most loved and iconic scenes in Western Art.

Director Peter Joseph examines examples of economic subjugation and offers solutions based on alignment with nature.

Deputy General Secretary at the Elysée to candidate for the presidency of the Republic, the novice in politics went from the shadows to the light in a very short time. For 200 days, our cameras followed him behind the scenes of his campaign and his exceptional ascent. For eight months we were the only ones allowed to follow the candidate Emmanuel Macron with our camera behind the scenes of this exceptional campaign. From the announcement of his candidature until his election on May 7, we propose you an exclusive documentary allowing you to live from inside the campaign of Emmanuel Macron in the manner of a political thriller.

From the cabinets of curiosities created in Italy during the 16th century to the prestigious cultural institutions of today, a history of museums that analyzes the social and political changes that have taken place over the centuries.

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The Flemish painter, humanist and diplomat Peter Paul Rubens (1577-1640) was fortunate to be recognized during his lifetime as an artist of genius and one of the most prolific among his peers, making him a key figure of the Baroque.

Cameroonian filmmaker Jean-Pierre Bekolo's newest work uses split-screens (at times, up to four images simultaneously) to present a fake documentary in which "the president" has disappeared; talk-show hosts, rivals, politicians and even rappers chime in on what may have occurred, and what their president for life has—or has not—done for Cameroon.

Thomas Hart Benton's paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.

In this unique, compelling film, those who knew him speak freely, some for the first time, to reveal the many mysteries of Francis Bacon.

In the heart of Paris, an entire palace has disappeared. It was the very first residence of the kings of France. Long before Versailles, long before the Louvre, the Palais de la Cité stood on the most prestigious island in Paris, the historic cradle of France, facing Notre-Dame. So majestic in the Middle Ages, this palace has become a ghost of history. Over the centuries, this architectural masterpiece has almost completely disappeared. A trio of experts will resurrect it in 3D. Using science and unprecedented excavations, they will track down the pieces of the puzzle to reconstruct it at its peak in the 14th century, and bring back to life those who inhabited it. From the Romans to the Vikings, from Saint Louis to the cursed kings, all have left clues of this 'Versailles of the Middle Ages'.

Follows the investigation into the assassination of President John F. Kennedy led by New Orleans district attorney Jim Garrison.

This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.

The remarkable true story of Donald Trump's family history - one of the most extraordinary immigration success stories ever told - and what it reveals about the United States' 45th President

'Figure I' uses a feminist perspective to frame and deconstruct patriarchal techniques of control. This film asks: how was a patriarchal gaze construct-ed, and how has it come to effect biological processes? How have specific tools (like Dürer's Grid) come to shape our technological present and possible futures? Are modern Western scientif-ic/mathematic/technological/medical structures rooted in extractive patriarchal philosophies? 'Figure 1' is composed of re-drawn illustrations of allegorical art historical paintings and etchings, alongside archival footage, Obstetric photography, and rotoscoped animation.

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.