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Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.

Join director Chloe Zhao and the Cast of Eternals as they recount their experiences during the making of Marvel Studios’ most ambitious film to date. Discover how the ensemble cast felt stepping into their roles, filming in remote locations, and creating bonds that would help to create the on-screen relationships that span over 7,000 years.

Part documentary, part concert film, part fever dream, this film captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year.

The shocking finale of the titular trilogy, which features graphic footage of the macabre and grotesque as directed by Brazilian filmmaker Lázaro Hahn.

Leaf Architects unveils bats as you’ve never seen them before—tiny, furry, bright-white creatures that transform rainforest leaves into extraordinary living architectural designs. Through the eyes of biologist Bernal Rodríguez, who has dedicated decades to studying these hidden home builders, the film reveals astonishing behaviors captured on camera for the very first time: from delicate construction techniques to the vital role bats play in regenerating tropical forests. Blending breathtaking imagery with a story of passion and discovery, Leaf Architects invites audiences to witness the secret lives of bats and the wonders of nature they sustain.

In the remote highlands of Montenegro, a shepherd mother and daughter proudly defend their ancestral mountain from the threat of becoming a NATO military training ground, stirring memories of the violence that shattered their family.

Women share their innermost secrets and intimate experiences inside an Estonian smoke sauna. Cleansing their bodies and baring their souls, they embrace the healing power of sisterhood.

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

This remarkable journey across our planet and universe explores how meteorites, shooting stars, and deep impacts have awoken our wonder about other realms—and make us rethink our destinies.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Morgan Spurlock subjects himself to a diet based only on McDonald's fast food three times a day for thirty days without exercising to try to prove why so many Americans are fat or obese. He submits himself to a complete check-up by three doctors, comparing his weight along the way, resulting in a scary conclusion.

Belonging to the Documentary genre, the film is a poetic self-portrait and biographical journey of Nima Beheshtinia. Using archival footage from his personal cassettes, interwoven with contemporary imagery, Nima creates a lyrical narrative inspired by his own book, "Az Mano DivaanegiHaayam" (Of Me and My Madness). The official film poster is also part of the "Az Mano DivaanegiHaayam" collection, a multimedia series consisting of two paintings, a book and a feature film, all created by Nima Beheshtinia.

Unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931-32. This record only represents the 200,000-plus feet of unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931/32 for Mary and Upton Sinclair and three American co-financiers. It was Eisenstein's vision to end up with movie about Mexico in six parts called "Calavera", "Sandunga", "Maguey", "Fiesta", "Soldadera", and "Epilogue". The project was canceled before it was completed due to cost overruns and months-delayed completion, and the producers refused to let Eisenstein attempt to edit anything from the material he had finished after Iosif Stalin called him back to the USSR. From this footage the following pictures were subsequently edited by other hands: Thunder Over Mexico (1933), Eisenstein in Mexico (1933), Death Day (1934), Time in the Sun (1940), and Que Viva Mexico (1979).

BRIT-winning and Grammy-nominated band Bring Me The Horizon's biggest headline show to date. Shot at São Paulo’s Allianz Parque Stadium, performed in front of a sold-out crowd of 50,000, the film expands the visual universe of POST HUMAN by blending cinematic visuals, fan-submitted videos and showcasing characters such as E.V.E, Selene & M8. It delivers an immersive experience that rivals that electric night in Brazil. The performance spans the full evolution of BMTH’s discography, from Sempiternal and That’s the Spirit to amo and the POST HUMAN albums. L.I.V.E. in São Paulo brings the viewer in, and never lets them go.

This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

Retrospective looking at the revolutionary computer-animated feature film Toy Story.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.