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What do female shooters, holsters and love handles have in common? In the Spanish language, they can all be referred to as pistoleras. Natalia del Mar Kasik’s debut short is a feminist reimagining of the classic standoff – although eventually, the shooter's biggest opponent may just be herself.

A disgruntled cowboy discovers a mysterious tin-man in the scorching desert.

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Brothers JC and Sebastian have big dreams to make their family business – Kingman Stables - the premier place in South Texas to house champion horses. The first step? Make a great commercial. The brothers hire filmmaker Victor De La Cruz to produce a high quality commercial sure to bring in the money. For De La Cruz, it's an opportunity to branch into the world of commercials, his initiation is far from smooth. De La Cruz soon finds out that the brother's have big ideas of their own that clash with his vision and experience.

When the son of a billionaire (Riley Hillman) is required by the government to complete his English Degree in order to gain access to his inheritance, worlds collide when he walks to class and brushes up against the schools resident bully (Dallas Rodgers).

Sheriff Tate has infamous outlaw Jack McDuff in his custody and plans to hang him unless McDuff's gang of thieves can change his fate.

The Joes of the Quad hear the war cry and take arms.

A Civil War Veteran is caught up back with the past and must run from it to survive

A man named woody moving to his old town after finishing a movie.

Alec Baker, Peter Mungkuri and Mr Kunmanara Pompey are three senior artists and respected leaders from Indulkana community on the APY Lands, SA. As young men, they were renowned stockmen and in 2017 they coordinated a men's camp at the local cattle station. Influenced by their ongoing love for cowboy and western films and country music, they created their own spaghetti western: Never Stop Riding.

In the 1800s, two cowboys meet in a bar to trade a female criminal mastermind for a significant price, but they soon discover they are not as in control of the situation as they think.

An animated folkloristic Western, using clichés, local stereotypes and national myths to sketch a kind of satirical profile of “wild” Slovenia, its colourful costumes and strange customs. Boris Dolenc has adapted a cartoon by Vladan Nikolić, who in turn drew on the motifs and visual language of the painted beehive boards typical of Slovenia.

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Two Southern guys are forced to outmaneuver a series of nonstop criminal obstacles as they venture out West to meet their hero Clint Eastwood.