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Reflecting on the memory and legacy of the Second World War.

A man and a woman fight for the freedom of their country Marking with his gun Yay with her typewriter. Thrown together by a cause greater than either of them they share the suffering of the flesh and the spirit among the country's guerrilla fighters. They emerge, out of the crucible of war, heroes-and lovers.

Accompanied by gripping images from the war, 'Oh, Saigon' is an in-depth, compelling documentary about one refugee family's attempts to face its divided past and heal the physical and emotional wounds of the Vietnam War.

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An outstanding poet, student of Oleksandr Dovzhenko, Mykola Vinhranovsky reads excerpts from his teacher's diary, comments on it - thereby emphasizing the tragic fate of the great artist. The film uses a chronicle of the war and post-war years.

The story begins in 1941 and shows one of the people who which were actually, very brave and proudly fought against the Ustasha, Germans and other butchers, not related to that ideology was tied. The film is about Dr. Mladen Stojanovic legend of Kozara and Krajina, great man, humanist, friend, and finally the commander one of a the proud partisan detachment, which is that area brought for a moment bring much desired freedom.

Before his legendary proto-cinematic studies in motion, photographer Eadweard Muybridge was commissioned to document the United States Army’s war against the Modoc tribe in Northern California in a series of stereographs, many of them staged. Alternately unnerving, meditative, and explosive, Adam Piron’s Black Glass examines the entangled histories of visual technology and the genocide and expropriation of Indigenous populations by white settlers through a violent collision of image and sound.

Saida, who is a nurse, and Nadir are childhood friends. Nadir loves Saida, while Saida loves a soldier brought to the hospital.

A dramatization of the life of Theodore Roosevelt leading up to his presidency of the United States

Taha (played by Amin Tarokh) returns to the country after many years of war and captivity in the war. But he realizes that everything has changed, even his family has changed, he does not know that there is a truth behind these bitter facts.

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Historical film in four scenes which retrace the returns, the progress and the outcome of the war of liberation in Algeria. The first painting, “The land was thirsty” describes aspects of injustice and colonial oppression. The second “The Paths to the Prison” recounts the sufferings of the people engaged in combat. The last two are the stories of two lives.

Forest workers need protection from bugs.

November 1914, the front in Flanders. In a partially destroyed aid station, the wounded French soldier François is the only one left. He lies on a field bed and has an open wound in the side. Suddenly, he sees the silhouette of a figure with a pointed helmet on its head looming.

Returning to Athens after the end of the World War II, Captain Nikolas finds out what happened to his family from a neighbor.

A war veteran visits the families of soldiers who died during the war.

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Part of the documentary series looking at the course of the First World War. This volume examines the events of 1917, when the Allies launched desperate attacks on the German lines with huge casualties, but with little result. By the end of the year, the Russians had withdrawn from the conflict following the Revolution, while the Americans were slowly becoming involved.

East Germany's contribution to the 1957 Cannes Film Festival was the wartime melodrama Betrogen bis zum Juengsten Tag. Had the film been released in the U.S., the title would probably have translated to Duped Till the Last. The film condemns the Nazi mindset by concentrating on a particularly odious cover-up. When his son is involved in the accidental killing of a girl, a Gestapo general pulls strings to save the boy from prosecution. The general manages to pin the blame for the killing on a group of Russians, whereupon he gives the men under his command carte blanche to round up and execute as many innocent Russians as they wish. This act of brutality is contrasted with the pangs of guilt suffered by the son and his co-conspirators.