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Being unable to shoot a film about Azerbaijani wedding customs, hopeless director decide to make a film about real wedding event. Though the stubborn father of bride resists approval the plan.

A female singing group from the '60s reunites for a TV special.

An adaptation of Tong Tik-sang's now-legendary Cantonese Opera piece, the film features divas Yam Kim-fai and Pak Suet-sin (left with Yam), who play the story's lead lovers, and Lan Chi Pak, the sinister official who tries to break up the relationship. Leung Sing-po plays the pair's friend as well as the mysterious 'man in yellow' who exposes plans to separate the couple.

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Pick It Up! is an independent documentary film about the rise in popularity of ska music in the 1990s and the subsequent return to the underground. The film features members of Reel Big Fish, The Mighty Mighty Bosstones, No Doubt, Sublime, Save Ferris, Goldfinger, The Specials, Less Than Jake, Hepcat and many more.

Documents the interpretations of Gustav Mahler's compositions by conductors Bernard Haitink, Riccardo Chailly, Riccardo Muti, Claudio Abbado, and Simon Rattle, who detail the special relationship they have with Mahler's work.

The sons of a music-loving insurance broker take extreme measures to find happiness for themselves and others, with some help from the power of music.

Adam Shankman's directorial debut is a silent short film where the story is told through dance, expression and moody music.

Mitzi Gaynor opens her second special with a dazzling performance of "Let Go." Additional songs include "Poor Papa," and "What'll I Do." She welcomes guest star Ross Martin (The Wild, Wild, West) for a musical-comedy spoof of Gone with the Wind. Other comedy skits include Mitzi as "The Kid" describing a school recital, and as a Hungarian Gypsy performing "Those Were the Days."

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A woman enters a bar and asks for a bit of conversation, but what she gets in return is a bunch of bad pickup lines sung to her by a cowboy and the bartender singing the cowboy's virtues.

Shania Twain Live is a TV concert special released by singer Shania Twain from her Come On Over Tour. Released on VHS and DVD, it was filmed on September 12, 1998, in Dallas, Texas, and aired live on DirecTV for free.

Four teenagers in the German Ruhr region try to succeed as a rock band in 1966. A girl tries to join them as a singer but is rejected by them.

A documentary revisiting the career of a feisty activist musician, who never quite achieved the same recognition as her similar contemporaries Joan Baez and Joni Mitchell. Experience the power of song in the struggle for equality through the story of feminist singer and activist Holly Near, who for the last 40 years has worked on global social justice coalition-building in the women’s and lesbian movements.

On 27th November 2013 Simple Minds played a very special concert and filmed it at the brand new award-winning venue the SSE Hydro Glasgow, the first concert to be filmed there. To an enthusiastic home audience, the band delivers rousing versions of hit after hit after hit. 1. Intro 2. Waterfront 3. Broken Glass Park 4. I Travel 5. All The Things She Said 6. Promised You A Miracle 7. Glittering Prize 8. Theme For Great Cities 9. Mandela Day 10. Someone Somewhere In Summertime 11. The American 12. Love Song 13. See The Lights 14. Don’t You (Forget About Me) 15. New Gold Dream (81, 82, 83, 84) 16. Big Music 17. Sanctify Yourself 18. Alive And Kicking.

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Fukuyama supervised all aspects of the overall direction, video, and sound of the live performance. High-quality footage of the actual live performance was recorded using more than 40 cameras in all 360° angles, and for the first time in Nippon Budokan history, drone shooting was conducted with the audience in the arena. In addition, the best Dolby Atmos® sound technology was utilized to pursue the ideal sound expression with thorough attention to every detail. The film also incorporates a storyline that only a film can tell, and "Masaharu Fukuyama as a boy," played by actor Hinata Hiiragi, is the key to the work. Hiiragi played the boyhood of Hiromi Minami, The film also features beautiful scenic inserts shot in his hometown of Nagasaki and CG effects, and these elements combine to create a film that uses the live performance itself as its source material in pursuit of the ultimate "ideal image of live performance."